Hold the microphone firmly in the middle Rest your arm on a chair or table if you are recording a lengthy interview Speak directly into the microphone while holding it 10 to 15 cm away from your mouth Point the microphone directly at the person you are interviewing to capture their answers Point the microphone at yourself while you are asking questions Swap the microphone between your hands if your arms start to get tired Wrap the microphone lead around the hand which is holding the microphone to keep it steady.
Without them the story may never be told. They assemble the material they have at hand and which they have researched and uncovered, and then they make the most important decision of all by asking the question - is there a story?
Thousands of possible stories disappear each day because they fail to make it through this first stage of the production process, let's try to make sure that yours don't.
If you decide that there is a story, you then need to think through which part or parts of it are of potential interest. This affects how should you tell the story, what angle you should take and the main points you should try to get across. Perhaps even more importantly, what you can leave out.
There is almost never enough time or space for all your material. Something usually has to go, and it's as well to start thinking about this sooner rather than later. Knowing what can be left out is a skill Writing a news story is a personal thing There are as many ways to write a story as there are people prepared to do it.
Some will be better than others, some may even be dreadful, but they will all be different. There is no pro forma or template to replace individual thought and application. Despite what you may hear about the objectivity of news, you as the writer cannot help being subjective because you are applying your own judgement and values.
The important thing is that your judgement is not just a personal preference. It is guided and based on journalistic principles.
If you are knocked down by a car and break a leg, a limited number of people will be interested - your family and friends, of course, your employer, your insurance company, and just about nobody else.
The incident is unlikely to make a news item. If the president of your country is involved in a road accident, that is front-page news and maybe even the lead item in broadcast news bulletins. There is no template to replace individual thought and application Is a story newsworthy?
The different responses to these two events are a matter of judgement, of news judgement. A range of considerations comes into play every time you have to decide if a story is newsworthy or not. Here are some of them: Is it reliable, trustworthy, independent, honest, believable?
If you have doubts, can you carry out checks? Does it fit my output? If you are writing for a sports magazine, you will probably not be too interested in finance, crime, science, international trade or health, unless there is a sports angle.
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What interest is there likely to be in what the individuals in the story are doing? If it's a choice between you and the president, you lose every time.
Will this story appeal to many of my readers, viewers, or listeners?
There's not much point in carrying serious financial news in a celebrity-centred popular newspaper. How unusual is this event or development? Something unexpected is more likely to make the news than a routine happening.
Is this story new or has it been published before? If so, by whom? Will it have been widely circulated, or will most people be learning about it for the first time? Even if the story is not recent, and the event many years old, it can still be worth running if the information has only just come to light.
Have we just had too many stories on this subject? Let's look for something else before we lose our audience through boredom? You have decided to run a story.
One of the key stages in preparing it for publication comes next - how do you organise and structure the material? Good news judgement can be developed over time There are two main models for news writing.
script-writing tips and real examples BBC presenter Huw Edwards Here are a few script-writing tips and examples of real BBC scripts which teachers might find use to models for writing . Responses to “My Conversation with “Eugene Goostman,” the Chatbot that’s All Over the News for Allegedly Passing the Turing . Are you a PhD applying for jobs outside academia? In this post I show you how to market yourself for non-academic jobs.
One the pyramid, the other involves six honest men. Pyramid journalism When you write an essay for a school project or devise a presentation for a business meeting, you assemble all the information, set it out in an orderly manner, link it together as appropriate, and finally present your conclusion.Aug 20, · The team in BBC Radio Drama North with some great tips and advice on writing successful Radio Drama scripts.
The Alfred Bradley Bursary Award for . script-writing tips and real examples BBC presenter Huw Edwards Here are a few script-writing tips and examples of real BBC scripts which teachers might find use to models for writing .
Deadline: 16th April at 5pm. BBC Writersroom's regular submission window for unsolicited scripts is open for Comedy scripts (TV, film, radio, stage or online) from 10am on Monday 19th March. The BBC's response to a complaint by Andy Mabbett shows a fundamental misunderstanding of copyright law.
Continue reading →. Aug 20, · The team in BBC Radio Drama North with some great advice and tips on what makes a great script, the stories they want to hear and how a writer knows if they have a 'voice'. Excellent advice. This site is indispensable for indie musicians, so glad I found.